At the Osaka Design Expo 2025, visitors will encounter a unique synthesis of technology, art, and cultural memory: the artclone of the Goddess of Morgantina, meticulously recreated by Artficial. This…
The artclone is not a passive object; it is a force that reshapes its environment. It does not merely fill space—it defines it, influences behavior, and enhances perception. In doing…
Most of you have already experienced the artclone effect in Ostia Antica or in Mozia, but we want you to know that we will be at MILAN DESIGN WEEK 2025…
As we’ve explained before, the artficial ARTvault™ is a secure repository of the world’s masterpieces – with open entry for public and private collections. The unique digitalDNA™ of each masterpiece…
On October 26, artficial and its media partner hosted cloni d’arte, an invitation-only event for architects and designers at the Ostiense Museum in Ostia Antica – the ancient Roman port…
Cultural regeneration is defined as “efforts to revitalize and promote the cultural traditions, heritage, and identity of a community or region.” Interestingly, we have testing a new avenue for cultural…
In 2008, floodwater inundated the University of Iowa Museum of Art in Iowa City. Employees evacuated most of the 12,400 items in the collection, and they remained without a permanent…
In their recent book Regeneration: The Future of Community in a Permacrisis World, Christian Sarkar, Philip Kotler, and Enrico Foglia include cultural regeneration as one of the 9 domains of…
In a polycrisis world, our sculptural masterpieces face various dangers that can threaten their preservation and integrity. Some of the common dangers include: So, what can be done to help…
Museums represent a major social investment in communities and society. The function of a museum is more than a repository of valuable objects. A museum is a social and cultural…
Our definition: artclone™: noun. an officially-licensed replica which preserves the form, integrity, and cultural value of an original sculptural masterpiece. Artcloning™ is suitable for statues or busts, and other physical…
Barbara Dal Corso